[select] works
scores available upon request
name | instrumentation (year) | associated commissioners/performers
scores available upon request
name | instrumentation (year) | associated commissioners/performers
chamber
• wild music | string quartet (2021) | Kronos Quartet
• Imago | string quartet (2021) | Attacca Quartet
• music for shapeshifters | strings & keyboards (2021) | earspace
• patterns in non-linear time | string quartet (2021) | JACK Quartet
• shapes in collective space | bowed string duo (2021) | Sound American
• new cosmologies | flexible ensemble (2020) | Music at Copland House
• Form the Fabric | flexible ensemble (2020) | Crash Ensemble
• Talamh (land) | string quartet (2020) | Spektral Quartet
• Openwork, knotted object / Trellis in bloom / lightning ache | pierrot + percussion (2019) | National Sawdust Ensemble
• To give you form and breath | percussion trio (2019) | Mizzou New Music
• Tea en mi casa | string quartet + playback (2018) | PUBLIQuartet
• love reacts only | string quartet (2018) | RTE Contempo Quartet
• older blood | flexible ensemble (2018) | loadbang
• placing ceremony | 4 instruments (2018) | Verdant Vibes
• please do not | bass flute + bass clarinet + percussion + soprano (2017) | 113 Collective
• Imago | string quartet (2021) | Attacca Quartet
• music for shapeshifters | strings & keyboards (2021) | earspace
• patterns in non-linear time | string quartet (2021) | JACK Quartet
• shapes in collective space | bowed string duo (2021) | Sound American
• new cosmologies | flexible ensemble (2020) | Music at Copland House
• Form the Fabric | flexible ensemble (2020) | Crash Ensemble
• Talamh (land) | string quartet (2020) | Spektral Quartet
• Openwork, knotted object / Trellis in bloom / lightning ache | pierrot + percussion (2019) | National Sawdust Ensemble
• To give you form and breath | percussion trio (2019) | Mizzou New Music
• Tea en mi casa | string quartet + playback (2018) | PUBLIQuartet
• love reacts only | string quartet (2018) | RTE Contempo Quartet
• older blood | flexible ensemble (2018) | loadbang
• placing ceremony | 4 instruments (2018) | Verdant Vibes
• please do not | bass flute + bass clarinet + percussion + soprano (2017) | 113 Collective
large ensemble
• New work | large ensemble (2021) | Parlando Chamber Orchestra
• The art of visiting | string orchestra + percussion (2020) | Face the Music + JACK Quartet
• Primavera crown | chamber orchestra (2019) | Alarm Will Sound
• Placemaking | wind ensemble (2018) | SJSU Wind Ensemble
• Symphony for the Body | any orchestra (2017) | American Composer's Orchestra
• The art of visiting | string orchestra + percussion (2020) | Face the Music + JACK Quartet
• Primavera crown | chamber orchestra (2019) | Alarm Will Sound
• Placemaking | wind ensemble (2018) | SJSU Wind Ensemble
• Symphony for the Body | any orchestra (2017) | American Composer's Orchestra
solo
• the motion between three worlds | cello (2020) | Matt Haimovitz
• Music for Transitions | cello (2020) | Andrew Yee
• you are the water | cello (2020) | Amanda Gookin
• INBHIR (many waters) | cello (2020) | LA Phil & Jason Lippmann
• quiet city | violin (2020) | Jennifer Koh & Arco Collaborative
• fréimhe (root) | flute (2020) | Devan Jaquez
• build-it-yourself | piano (2020) | Twenty Collective
• no words | bb clarinet & electronics (2019) | Gleb Kanasevich
• a bridge between starshine and clay | piano (2018) | Cristina Valdes
• Beating | pipe organ (2017)
• Music for Transitions | cello (2020) | Andrew Yee
• you are the water | cello (2020) | Amanda Gookin
• INBHIR (many waters) | cello (2020) | LA Phil & Jason Lippmann
• quiet city | violin (2020) | Jennifer Koh & Arco Collaborative
• fréimhe (root) | flute (2020) | Devan Jaquez
• build-it-yourself | piano (2020) | Twenty Collective
• no words | bb clarinet & electronics (2019) | Gleb Kanasevich
• a bridge between starshine and clay | piano (2018) | Cristina Valdes
• Beating | pipe organ (2017)
for people
• Open Space | 4 performers & utensil + medium (2019) | WCU Percussion
• Music for Chocolate | 2+ performers, chocolate, & amplification (2018) | The Furies
• Music for Chocolate | 2+ performers, chocolate, & amplification (2018) | The Furies
[a note on scores]
These documents represent the written aspect of my compositional practice as seen initially by players and ensembles. They should not be taken as a complete record of a created music or work. The oral transmissive process in collaborations and rehearsals includes living knowledge such as storytelling, poetics, listening exercises, and critical reflections. The eventual music seeks to move beyond sight reading and initial formations of material: the score is an object to be moved beyond towards the goal of flexible, organic musicmaking. The score does, however, communicate the beginning of the process. - inti