[select] works
scores available upon request
name | instrumentation (year) | associated commissioners/performers *(not available for performance)
scores available upon request
name | instrumentation (year) | associated commissioners/performers *(not available for performance)
string quartets
• secret music | string quartet (2024) | Felix Mendelssohn Bartholdy Conservatory Competition
• clay songs | string quartet, percussion, & track (2023) | Kronos Quartet *
• eight hands reaching | low string octet (2023) | New World Symphony
• 30 mengstraße | string quartet (2023) | Cramer Quartet *
• music by yourself | string quartet (2022) | Kronos Quartet *
• branching patterns | string quartet (2021) | Kronos Quartet
• Imago | string quartet (2021) | Attacca Quartet
• mayu (the great river) | string quartet (2021) | JACK Quartet
• Talamh (land) | string quartet / string orchestra (2020) | Spektral Quartet
• Tea en mi casa | string quartet & track (2018) | PUBLIQuartet
• love reacts only | string quartet (2018) | RTE Contempo Quartet
• clay songs | string quartet, percussion, & track (2023) | Kronos Quartet *
• eight hands reaching | low string octet (2023) | New World Symphony
• 30 mengstraße | string quartet (2023) | Cramer Quartet *
• music by yourself | string quartet (2022) | Kronos Quartet *
• branching patterns | string quartet (2021) | Kronos Quartet
• Imago | string quartet (2021) | Attacca Quartet
• mayu (the great river) | string quartet (2021) | JACK Quartet
• Talamh (land) | string quartet / string orchestra (2020) | Spektral Quartet
• Tea en mi casa | string quartet & track (2018) | PUBLIQuartet
• love reacts only | string quartet (2018) | RTE Contempo Quartet
flexible instrumentation
• shadow in the garden | strings & continuo (2023) | Ensemble for These Times
• ensemble forecast | large flexible ensemble (2022) | Parlando Chamber Orchestra
• music for shapeshifters | strings and/or keyboards (2021) | earspace
• new cosmologies | flexible small ensemble (2020) | Music at Copland House
• Form the Fabric | flexible medium ensemble (2020) | Crash Ensemble
• Openwork, knotted object / Trellis in bloom / lightning ache | pierrot + percussion + any (2019) | National Sawdust Ensemble
• older blood | flexible medium ensemble (2018) | loadbang
• placing ceremony | moving ensemble (2018, rev. 2022) | Music Academy of the West
• ensemble forecast | large flexible ensemble (2022) | Parlando Chamber Orchestra
• music for shapeshifters | strings and/or keyboards (2021) | earspace
• new cosmologies | flexible small ensemble (2020) | Music at Copland House
• Form the Fabric | flexible medium ensemble (2020) | Crash Ensemble
• Openwork, knotted object / Trellis in bloom / lightning ache | pierrot + percussion + any (2019) | National Sawdust Ensemble
• older blood | flexible medium ensemble (2018) | loadbang
• placing ceremony | moving ensemble (2018, rev. 2022) | Music Academy of the West
fixed chamber
• Earths to Come | amplified vocal octet (2023) | Roomful of Teeth *
• Flames like words | electric guitar quartet (2023) | Dither
• To give you form and breath | percussion trio (2019) | Mizzou New Music
• please do not | bass flute + bass clarinet + percussion + soprano (2017) | 113 Collective
• Flames like words | electric guitar quartet (2023) | Dither
• To give you form and breath | percussion trio (2019) | Mizzou New Music
• please do not | bass flute + bass clarinet + percussion + soprano (2017) | 113 Collective
concertos
• new work | piano & orchestra (2024) | Conrad Tao, Matthias Pintscher, & the Cincinnati Symphony Orchestra *
• Seven Sides of Fire | amplified string quartet & orchestra (2022) | Attacca Quartet & American Composers Orchestra
• amaru | solo cello & string orchestra (2022) | Jay Campbell & Los Angeles Philharmonic
• Seven Sides of Fire | amplified string quartet & orchestra (2022) | Attacca Quartet & American Composers Orchestra
• amaru | solo cello & string orchestra (2022) | Jay Campbell & Los Angeles Philharmonic
orchestral/large ensemble
• coradh (bending) | flexible orchestra + audience singing (2021) | ensemble reflektor
• The art of visiting | string orchestra + optional percussion (2020) | JACK Quartet & Face The Music
• Primavera crown | chamber orchestra (2019) | Alarm Will Sound
• Placemaking | large wind ensemble (2018) | SJSU Wind Ensemble
• Symphony for the Body | flexible orchestra - scalable (2017) | American Composers Orchestra
• The art of visiting | string orchestra + optional percussion (2020) | JACK Quartet & Face The Music
• Primavera crown | chamber orchestra (2019) | Alarm Will Sound
• Placemaking | large wind ensemble (2018) | SJSU Wind Ensemble
• Symphony for the Body | flexible orchestra - scalable (2017) | American Composers Orchestra
solo
• hushing | piano (2022) | Adam Tendler *
• the motion between three worlds | cello (2020) | Matt Haimovitz
• Music for Transitions | cello (2020) | Andrew Yee *
• you are the water | cello (2020) | Amanda Gookin
• INBHIR (many waters) | cello (2020) | LA Phil & Jason Lippmann
• quiet city | violin (2020) | Jennifer Koh & Arco Collaborative
• fréimhe (root) | flute (2020) | Devan Jaquez
• build-it-yourself | piano (2020) | Twenty Collective
• no words | bb clarinet & electronics (2019) | Gleb Kanasevich
• a bridge between starshine and clay | piano (2018) | Cristina Valdes
• Beating | pipe organ (2017)
• the motion between three worlds | cello (2020) | Matt Haimovitz
• Music for Transitions | cello (2020) | Andrew Yee *
• you are the water | cello (2020) | Amanda Gookin
• INBHIR (many waters) | cello (2020) | LA Phil & Jason Lippmann
• quiet city | violin (2020) | Jennifer Koh & Arco Collaborative
• fréimhe (root) | flute (2020) | Devan Jaquez
• build-it-yourself | piano (2020) | Twenty Collective
• no words | bb clarinet & electronics (2019) | Gleb Kanasevich
• a bridge between starshine and clay | piano (2018) | Cristina Valdes
• Beating | pipe organ (2017)
duos
• shapes in collective space | bowed string duo (2021) | Longleash
• earthmaker | violin & piano (2020) | escapeVelocity
• earthmaker | violin & piano (2020) | escapeVelocity
for people
• Open Space | 4 performers & utensil + medium (2019) | WCU Percussion
• Music for Chocolate | 2+ performers, chocolate, & amplification (2018) | The Furies
• Music for Chocolate | 2+ performers, chocolate, & amplification (2018) | The Furies
upcoming
• new work | piano quartet (2025) | James McVinnie Ensemble
• new work | chamber ensemble (2024) | Ensemble Connect
• new work | mixed ensemble (2024) | OSSIA New Music
• new work | string quartet (2024) | The Rhythm Method
• new work | chamber ensemble (2024) | Ensemble Connect
• new work | mixed ensemble (2024) | OSSIA New Music
• new work | string quartet (2024) | The Rhythm Method
[a note on scores]
These documents represent the written aspect of my compositional practice as seen initially by players and ensembles. They should not be taken as a complete record of a created music or work. The oral transmissive process in collaborations and rehearsals includes living knowledge such as storytelling, poetics, listening exercises, and critical reflections. The eventual music seeks to move beyond sight reading and initial formations of material: the score is an object to be moved beyond towards the goal of flexible, organic musicmaking. The score does, however, communicate the beginning of the process. - inti