[select] works
scores available upon request
name | instrumentation (year) | associated commissioners/performers
scores available upon request
name | instrumentation (year) | associated commissioners/performers
string quartet/ensemble
• animate earth | string quartet (2023) | Kronos Quartet
• music by yourself | string quartet (2022) | Kronos Quartet
• amaru | string orchestra w/ cello solo (2022) | LA Philharmonic
• branching patterns | string quartet (2021) | Kronos Quartet
• Imago | string quartet (2021) | Attacca Quartet
• mayu (the great river) | string quartet (2021) | JACK Quartet
• Talamh (land) | string ensemble, quartet-orchestra (2020) | Spektral Quartet
• The art of visiting | string orchestra + optional percussion (2020) | Face the Music + JACK Quartet
• Tea en mi casa | string quartet + playback (2018) | PUBLIQuartet
• love reacts only | string quartet (2018) | RTE Contempo Quartet
• music by yourself | string quartet (2022) | Kronos Quartet
• amaru | string orchestra w/ cello solo (2022) | LA Philharmonic
• branching patterns | string quartet (2021) | Kronos Quartet
• Imago | string quartet (2021) | Attacca Quartet
• mayu (the great river) | string quartet (2021) | JACK Quartet
• Talamh (land) | string ensemble, quartet-orchestra (2020) | Spektral Quartet
• The art of visiting | string orchestra + optional percussion (2020) | Face the Music + JACK Quartet
• Tea en mi casa | string quartet + playback (2018) | PUBLIQuartet
• love reacts only | string quartet (2018) | RTE Contempo Quartet
flexible instrumentation
• ensemble forecast | large flexible ensemble (2022) | Parlando Chamber Orchestra
• music for shapeshifters | 5 strings and/or keyboards (2021) | earspace
• new cosmologies | flexible small ensemble (2020) | Music at Copland House
• Form the Fabric | flexible medium ensemble (2020) | Crash Ensemble
• Openwork, knotted object / Trellis in bloom / lightning ache | pierrot + percussion + any (2019) | National Sawdust Ensemble
• older blood | flexible medium ensemble (2018) | loadbang
• placing ceremony | moving ensemble (2018, rev. 2022) | Verdant Vibes
• music for shapeshifters | 5 strings and/or keyboards (2021) | earspace
• new cosmologies | flexible small ensemble (2020) | Music at Copland House
• Form the Fabric | flexible medium ensemble (2020) | Crash Ensemble
• Openwork, knotted object / Trellis in bloom / lightning ache | pierrot + percussion + any (2019) | National Sawdust Ensemble
• older blood | flexible medium ensemble (2018) | loadbang
• placing ceremony | moving ensemble (2018, rev. 2022) | Verdant Vibes
small chamber
• new work | electric guitar quartet (2022) | Dither
• To give you form and breath | percussion trio (2019) | Mizzou New Music
• please do not | bass flute + bass clarinet + percussion + soprano (2017) | 113 Collective
• To give you form and breath | percussion trio (2019) | Mizzou New Music
• please do not | bass flute + bass clarinet + percussion + soprano (2017) | 113 Collective
orchestral/large ensemble
• seven sides of fire | string quartet & flexible orchestra (2022) | American Composers Orchestra & Attacca Quartet
• coradh (bending) | flexible orchestra + audience singing (2021) | ensemble reflektor
• Primavera crown | sinfonietta - may scale (2019) | Alarm Will Sound
• Placemaking | large wind ensemble (2018) | SJSU Wind Ensemble
• Symphony for the Body | flexible orchestra - scalable (2017) | American Composer's Orchestra
• coradh (bending) | flexible orchestra + audience singing (2021) | ensemble reflektor
• Primavera crown | sinfonietta - may scale (2019) | Alarm Will Sound
• Placemaking | large wind ensemble (2018) | SJSU Wind Ensemble
• Symphony for the Body | flexible orchestra - scalable (2017) | American Composer's Orchestra
solo
• hushing | piano (2022) | Adam Tendler
• the motion between three worlds | cello (2020) | Matt Haimovitz
• Music for Transitions | cello (2020) | Andrew Yee
• you are the water | cello (2020) | Amanda Gookin
• INBHIR (many waters) | cello (2020) | LA Phil & Jason Lippmann
• quiet city | violin (2020) | Jennifer Koh & Arco Collaborative
• fréimhe (root) | flute (2020) | Devan Jaquez
• build-it-yourself | piano (2020) | Twenty Collective
• no words | bb clarinet & electronics (2019) | Gleb Kanasevich
• a bridge between starshine and clay | piano (2018) | Cristina Valdes
• Beating | pipe organ (2017)
• the motion between three worlds | cello (2020) | Matt Haimovitz
• Music for Transitions | cello (2020) | Andrew Yee
• you are the water | cello (2020) | Amanda Gookin
• INBHIR (many waters) | cello (2020) | LA Phil & Jason Lippmann
• quiet city | violin (2020) | Jennifer Koh & Arco Collaborative
• fréimhe (root) | flute (2020) | Devan Jaquez
• build-it-yourself | piano (2020) | Twenty Collective
• no words | bb clarinet & electronics (2019) | Gleb Kanasevich
• a bridge between starshine and clay | piano (2018) | Cristina Valdes
• Beating | pipe organ (2017)
duos
• shapes in collective space | bowed string duo (2021) | Sound American
• earthmaker | violin & piano (2020) | escapeVelocity
• earthmaker | violin & piano (2020) | escapeVelocity
for people
• Open Space | 4 performers & utensil + medium (2019) | WCU Percussion
• Music for Chocolate | 2+ performers, chocolate, & amplification (2018) | The Furies
• Music for Chocolate | 2+ performers, chocolate, & amplification (2018) | The Furies
upcoming
• new work | amplified vocal octet (2023) | Roomful of Teeth
• new work | piano trio (2023) | Ensemble for These Times
• new work | string quartet (2023) | Cramer Quartet
• new work | string quartet (2023) | The Rhythm Method
• new work | piano & vibraphone + struck strings, flexible (2022) | Bent Duo
• new work | piano (2022) | Clare Longendyke
• new work | piano (2022) | Lara Downes
• new work | piano trio (2023) | Ensemble for These Times
• new work | string quartet (2023) | Cramer Quartet
• new work | string quartet (2023) | The Rhythm Method
• new work | piano & vibraphone + struck strings, flexible (2022) | Bent Duo
• new work | piano (2022) | Clare Longendyke
• new work | piano (2022) | Lara Downes
[a note on scores]
These documents represent the written aspect of my compositional practice as seen initially by players and ensembles. They should not be taken as a complete record of a created music or work. The oral transmissive process in collaborations and rehearsals includes living knowledge such as storytelling, poetics, listening exercises, and critical reflections. The eventual music seeks to move beyond sight reading and initial formations of material: the score is an object to be moved beyond towards the goal of flexible, organic musicmaking. The score does, however, communicate the beginning of the process. - inti